The face was sunk in the sand, frowning and sneering. The sculptor interpreted his subject well. All that is left is the wrecked statue. It is not a traditional one, however. Although it is neither a Petrarchan sonnet nor a Shakespearean sonnet, the rhyming scheme and style resemble a Petrarchan sonnet more, particularly with its structure rather than
Percy Bysshe Shelley: “Ozymandias” by David Mikics | Poetry Foundation
In: English and Literature. Round the decay Of that colossal wreck, boundless and bare, The lone and level sands stretch far away. Analysis of Ozymandias "Ozymandias" is a fourteen-line, iambic pentameter sonnet. It is not a traditional one, however.
Essay about An Analysis of Ozymandias
The sand is helping to convey the message that power does not last. The sands have left Ozymandias alone and destroyed in the desert, taking away, and even literally covering, his power. We read the engraving on the pedestal and look around to see his works so that we can "despair" and we find that "Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away. Nature has smitten man.
One evening, they began to discuss recent discoveries in the Near East. The power of pharaonic Egypt had seemed eternal, but now this once-great empire was and had long been in ruins, a feeble shadow. Shelley and Smith remembered the Roman-era historian Diodorus Siculus, who described a statue of Ozymandias, more commonly known as Rameses II possibly the pharaoh referred to in the Book of Exodus. If any want to know how great I am and where I lie, let him outdo me in my work.